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Biotechnology --- History of Antwerp --- history [discipline] --- geschiedenis --- brouwerijen --- bier
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local history [discipline] --- politieke geschiedenis --- anno 1800-1899 --- Kalken
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Applied arts. Arts and crafts --- History --- history [discipline] --- juweelkunst --- juweelkunst --- geschiedenis --- Jewellery Museum [Pforzheim]
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Applied arts. Arts and crafts --- History --- design [discipline] --- history [discipline] --- geschiedenis --- ontwerpen
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Retro Graphic Design Pocket Essentials is a visual sourcebook for contemporary designers looking to simulate the timeless styles of the past. Chapters broken down into key trends of the decades offer 'design modules' that put each style into context, explaining how it originated and was used at the time, but also deconstructing the defining characteristics to make it easy to recreate today. Each design detail - from ornamentation and illustration style to colour palettes and letterforms - is analysed and explained. Motifs from classical and Renaissance art and the evergreen graphic styles of the nineteenth century are included, with focus on the major design movements of the twentieth century - everything from Gothic Revival, Art Nouveau and Futurism to '60s Pop Art and Postmoderism of the '70s and '80s. Richly illustrated and meticulously researched, Retro Graphic Design Pocket Essentials is a visual encyclopedia of all the ingredients that go into vintage design.
Art styles --- Graphic arts --- History --- graphic design --- history [discipline] --- kunststijlen --- geschiedenis --- grafische vormgeving --- Grafische vormgeving --- Geschiedenis --- retro [style] --- anno 1900-1999 --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum
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Painting --- History as a science --- History of civilization --- History of the Low Countries --- history [discipline] --- historiography --- cultuurgeschiedenis --- Hollandse school --- Vlaamse school --- schilderkunst, Nederlanden --- Zuidelijke Nederlanden --- Noordelijke Nederlanden --- anno 1500-1799
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Mensen zijn kijkdieren. Eerst zien, dan geloven. Zien ís geloven. Ook via andermans ogen en lenzen. Foto's hebben een enorme overtuigingskracht. Maar merkwaardig genoeg kijken en zien we doorgaans nogal achteloos en oppervlakkig, en ook met foto's springen we niet bepaald zorgvuldig om. Dat lijkt paradoxaal maar is in feite een logisch gevolg van de combinatie van de directe bewijskracht van foto's en hun meerduidigheid, een tekort aan inhoudelijke precisie. Hoe overtuigend foto's ook lijken, ze konden van het begin af niet zonder verklaring. De wereld van het beeld wordt door het woord beheerst. Niet de foto illustreert de tekst, het is de tekst die de foto belicht, duidt en verklaart. De overtuiging dat de camera niet liegt, niet liegen kan, maakt de leugen mogelijk. Er wordt geknipt en geplakt dat het een lieve lust is. Soms bewust, vaker niet-bewust, zonder dat men er erg in heeft. Foto's en bijschriften worden werktuigelijk aangepast aan andere omstandigheden en visies, toegesneden op nieuwe interpretaties en collectieve herinneringen. Gebeurtenissen veranderen van tijd, oorden van naam, slachtoffers en daders van identiteit. Het boek stelt vijftien min of meer bekende historische foto's voor. Omdat tekst en context in hoge mate bepalen wat wordt gezien, kan de lezer eerst zelf kijken en zien, een eigen mening vormen. Vervolgens worden de foto's op de lichtbak van de geschiedschrijver gelegd. Wordings- en receptiegeschiedenis, vormvarianten en wisselende betekenissen worden doorgelicht en in hun bredere historische en fotografische context geplaatst. Kijken en zien veranderen
Persfotografie --- Fotomanipulatie --- Geschiedbronnen --- Historische kritiek --- Fotomanipulatie. --- Persfotografie. --- journalistiek --- fotografie --- history [discipline] --- photography [process] --- war photography --- journalistic photography --- oorlogsfotografie --- Journalism --- Photography --- World history --- anno 1800-1999 --- Pictorial works --- Images [Photographic ] --- Picture interpretation --- Visual perception --- Camera obscuras --- Iconography --- History as a science --- Geschiedenis --- Beeldcultuur --- Fotografie --- Beeldvorming --- Fotojournalistiek --- Media --- Pers --- Geschiedbron --- Geneeskunde --- Techniek (wetenschap) --- Atlas --- Museum --- Perswezen
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History --- public spaces --- Environmental planning --- urban planning --- local history [discipline] --- customs [social] --- Rome --- Street life --- Vie dans la rue --- Cities and towns --- City and town life --- City planning --- Plazas --- Public spaces --- Streets --- History. --- Social life and customs. --- Antiquities. --- History, Local. --- Social life and customs --- Antiquities --- History, Local --- Rues --- Places --- Vie urbaine --- Espaces publics --- Villes --- Urbanisme --- Moeurs et coutumes --- Antiquités --- customs [social concepts] --- Streets - Rome - History --- Plazas - Rome - History --- Street life - Rome - History --- City and town life - Rome - History --- Public spaces - Rome - History --- Cities and towns - Rome - History --- City planning - Rome - History --- Rome - Social life and customs --- Rome - Antiquities --- Rome - History, Local
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In 1622, Rubens designed his second tapestry series, 'The Story of Constantine', for which he executed twelve oil sketches, all of which are currently preserved in public and private collections in America and Europe. Tapestries produced after the lost cartoons, which were in turn painted after the oil sketches, were woven in the tapestry factories in the faubourgs of Saint Marcel and Saint Germain in Paris. Based on new archival research and a critical examination of the literature on the Constantine series, this book firmly embeds the genesis, and iconographical and stylistic features of the set in its specific artistic, manufactural, and commercial matrix, and thus develops the first truly inclusive approach to Rubens's Story of Constantine.
history [discipline] --- istoria --- antique [generic time frame] --- Rubens, Peter Paul --- History in art --- geschiedenis --- iconografie --- kunsthandel --- oudheid --- tapijtkunst --- Comans, Marc --- Constantijn de Grote --- La Planche, François de --- Valdor, Jean --- Valois, Adrien de --- Valois, Henri de --- 17de eeuw --- 19de eeuw --- 20ste eeuw --- Europa --- 759.04 --- 759.9493 --- Arts Painting 1600 - 1800 --- Arts Painting Belgium --- Criticism and interpretation --- Constantine I --- Art --- Academic collection --- Rubens, Petrus Paulus, --- Catalogs --- Rubens, Petrus Paulus, - 1577-1640 --- Rubens, Petrus Paulus, - 1577-1640 - Catalogs --- Rubens (pierre paul) 1577-1640 --- Critique et interpretation --- iconografie. --- geschiedenis. --- oudheid. --- tapijtkunst. --- kunsthandel. --- Rubens, Peter Paul. --- Constantijn de Grote. --- Comans, Marc. --- La Planche, François de. --- Valois, Henri de. --- Valois, Adrien de. --- Valdor, Jean. --- 17de eeuw. --- 19de eeuw. --- 20ste eeuw. --- Europa.
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